Jason Peterson, Writer

Hello Dad, So Mom just sent me the song and...wow. I mean, first of all, the fact that you didn’t even send it to me yourself is just so *you.* You should make that the last verse of the song! But I digress. Let’s dive into some of these lyrics, shall we? Okay, so right off the bat, there’s this: “He learned to walk while I was away.” Really, Dad? You’ve always told me you were there for my first steps! There’s even a picture with what you’ve said were your outstretched arms I was supposedly toddling into. I have it framed on my desk right in front of me! And now I have to learn - in song form - that it was all a lie? Whose arms are in this picture, Dad?  Speaking of lies, let’s move on to that baseball anecdote in the second verse. Why yes, I do recall when you gave me a baseball for my tenth birthday and then - when you had literally just given me a ball as a gift - you suddenly had “a lot to do” and didn’t teach me how to throw it! On my birthday! What kind of sociopath does tha

I wrote about Mary Gauthier's compelling memoir for Performer Magazine -- I came away from reading it with a huge appreciation for her songwriting and I desire to sit down with the guitar and write too.  This one is up there with Steven Pressfield's The War of Art , which is about as high of praise I can give. Check out the review here: Saved by a Song: The Art and Healing Power of Songwriting

  Really enjoyed chatting with Eric from Black Pumas for this cover story on the band and their current tour. It was my first cover, and I couldn't be happier to have it feature this band - they're so dang good.  Check it out here --

Jeff Tweedy is probably my favorite songwriter (he and Todd Snider flip flop around, depending who I'm listening to at the time) - and I also love how he pointedly dismisses a lot of the mysticism around songwriting and creativity.  I really enjoyed this small but powerful book. You can check out my full review in Performer mag here: BOOK REVIEW: Jeff Tweedy ‘How to Write One Song’

Bartees Strange released two records in 2020 that are just ridiculously good - an EP of The National re-imaginings, as well as his full length debut, Live Forever .  When I saw he'd posted on Twitter that he was hoping to be interviewed about gear and his sound, I took a shot at requesting one through Performer Magazine. I really enjoyed the conversation and his perspective on life and music.  Check out the interview here:  Bartees Strange on Making Music He Wants to Hear (and Letting Go of the Rest)

 I was sorting through some magazines the other day and came across the Sports Illustrated for Kids that contains my very first byline. Back in ye olde days of the early 90s, SI for Kids had a feature called "You Write the Story," where they would post a picture and readers could send in a little tale about it.  The thing I remember most about the experience is coming home from school to my sister saying: "I'm not sure how your day was, but it's about to get a lot better." She'd taken the call from an SI editor and was so excited and happy for me - it felt really special. I vividly remember returning the call to their office in New York, which felt like calling the moon.  Seeing my name in print had a real impact on me. Even though it was a tiny story surrounded by a bunch of others, it made me feel like a real writer. I'm not sure if SI for Kids even exists anymore, or if another magazine offers a similar experience for young readers (and writers) b

I think I read more this past year than I have in any year since grad school, and nothing kept me reading quite like the Lonesome Dove saga. I picked up Lonesome Dove because one of my favorite podcasts, The Watch, was doing a special on it - I'm so glad I did. Not since I was a kid have I been so fully immersed in a novel as I was with this series.  The sequels are each great too (Dead Man's Walk especially), but nothing quite like the first. If you haven't read them yet, I highly recommend diving in, and The Watch pod is a great companion. I've been picking up other McMurtry books since finishing.  I first posted this yesterday (3/25) and just read that Mr. McMurtry passed away today. Thankful for the books he wrote, especially in this pandemic year.   

Like a lot of folks locked-down during the pandemic, I found myself with a desire to do something positive with the stressful energy building up inside me. That led me back to the creative comfort food of songwriting, which has always been a way for me to get lost in the moment in a different way than other forms of writing. I also had a tremendous amount of fun messing around in GarageBand, recording new instruments and playing with the tools in the program. It was a lovely distraction from everything happening this year. The five songs on this EP  are part of a larger batch I wrote and that may find themselves on other projects, but they felt of a piece and of a time - written and recorded in my home office/guestroom (dubbed the Nana and Papa suite). It's been a refuge for me, and I hope you enjoy what came out of it. Check out Home Office Suite on Bandcamp here: https://themeltedcoins.bandcamp.com/ And the Melted Coins website here:  https://www.themeltedcoins.com/

Really enjoyed speaking with Ian Stich of StichMethod guitar lessons for this Performer Magazine piece. I've learned a ton from Stich over the past few years, and he was a humble and kind as he comes across via his YouTube lessons.  Be sure to check out his stuff (especially his breakdowns of Trey's solos) here:  https://stichmethod.com/